Hyènes 5
Hyänen, eine Kult-Szene
Three Colours Article published by Michaël Patin The name of the Senegalese filmmaker Djibril Diop Mambéty resurfaced at the end of 2017 with the release of I Am not a Witch by the Zambian filmmaker Rungano Nyoni, a film which regularly mentioned Hyenas as its main reference. Logical, since there are few (or none?) other […]
Hyänen – restaurierte Version (2018)
Dieser Klassiker des afrikanischen Kinos, des Senegalesen Djibril Diop Mambéty, ist in einer restaurierten Version im Kino Reflets Médicis in Paris zu sehen.
Der Filmemacher, ein herausragender bildender Künstler, umhüllt diese bittere Fabel mit einer an Wissenschaft grenzenden Komposition der Einstellungen, einer Unaufdringlichkeit der Farben, einer brechtschen Dramaturgie, welche Bewunderung erzwingt.
LE MONDE, Jacques Mandelbaum
Hyänen (1992)
This wicked tale, told with wit and irony has the ingredients of a crowed-pleaser. VILLAGE VOICE
Hyenas is the most exhilarating mix of exotica, comedy and tragedy since 1959’s Black Orpheus.
NEW YORK POST, Larry Worth
In Hyenas, Djibril Diop Mambety’s pungent adaptation of the „Visit“, the setting has been moved from Europe to Africa. Although the film, keeps the outlines of the Dürrenmatt play intact, the change of locale lends the tale a new political dimension.
NEW YORK TIMES, Stephen Holden
Let’s talk, Grandmother (1990)
Djibril Diop Mambéty followed and filmed the shooting of “Yaaba”, Idrissa Ouédraogo’s (Burkina Faso, 1989) second feature film. A documentary full of humorous anecdotes regarding the dangers of shooting in Burkina Faso.